Here & Now Festival 21-24 April 2017

“…fresh, authentic, confronting and challenging”
Theatreview

 Congratulations to everyone involved in this year’s festival!

 

The reviews are in!

“I think it would be a very good idea to show to all high school students” (BOYS – Pantograph Punch)

“..high energy from the start to finish.” (DANCE LIKE EVERYBODY’S WATCHING – Pantograph Punch)

“ funny, courageous, provocative and definitely entertaining” (MOUTH: TEETH:TONGUE – Theatreview).  

 

Watch this space for info about getting involved in HERE & NOW 2018.

Shows.

Boys | 21-24 April

Adapted from Greg McGee’s Foreskin’s Lament by Eleanor Bishop. Foreskin's Lament is our state of the nation play about masculinity. Using contemporary material ranging from the Chiefs ‘stripper scandal’ to Wellington College’s recent online incident, award-winning theatre-makers Eleanor Bishop and Julia Croft and a group of sixteen young people from Auckland take New Zealand's iconic locker room play and ask "what has changed since 1980?" Or more importantly, "what hasn't?"

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Dance Like Everybody's Watching | 21-24 April

Devised by the cast. Celebrated devised theatre-maker Alice Canton leads a large cast in creating an intimate roving performance about the self (and the self-conscious) in the age where everybody’s watching.

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Mouth:Tounge:Teeth | 22-23 April

by Niu Wave Collective. With a whisper and a whimsical backbeat, this is a spoken word show where the audience interaction helps to fuel the action. Circling the Pacific, poets talk about ancestral teeth and lost mother tongues, and when the past collides with the present they are in a dentist’s chair in suburban Auckland. This is life, love and living through the MOUTH, TONGUE, TEETH.

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