Playwrights’ Masterclass

Led by Simon Stephens as part of The Masterclass Project 2026, Auckland Theatre Company will host an intensive masterclass for mid-career to established playwrights, which has been co-designed with Aotearoa theatre artist Jason Te Kare (Ngāti Maniapoto, Tainui). 

Expressions of Interest for the Playwrights' Masterclass are now closed. Ten playwrights were selected.

Dan Bain

Dan Bain is a multi-award-winning New Zealand playwright whose body of work spans mainstage, fringe and youth theatre, often combining comedy with adaptation of classic texts.  

His version of The Odyssey won the 2024 Adam Award for Best New Zealand Play, the Dean Parker Award for Best Adaptation, and the McNaughton Award for Best South Island Play.   

The sensibilities of his plays are significantly influenced by his work as a theatre director and stand-up comedian. He is currently developing a new piece of theatre, Fossils, alongside his debut novel based on Richard III, Crookback. 

Kathryn Burnett

Kathryn is an award-winning screenwriter, playwright and writing coach. She has significant credits for stage and screen. Her produced plays include Bowled Over, Mike & Virginia and The Campervan 

Her latest work is the successful one-woman show Nicola Cheeseman is Back which was shortlisted for the 2023 Adams Playwriting Award and premiered in 2024. It enjoyed an encore season at Q Theatre last year and featured in several arts festivals. Nicola Cheeseman is Back is currently on the Centrepoint production slate for 2026.  

She was also recently published by Upstart Press with the co-written literary gem How to Spot a Dickhead and in the award-winning horror anthology Remains to Be Told – Dark Tales of Aotearoa (Clan Destine Press). She is currently working on two new theatre pieces.  

Cindy Diver

Cindy Diver is a proud Kāi Tahu professional actor, director, writer and casting director with thirty years of experience across theatre, television and film while also being the owner-manager of Ōtepoti-based Theatreworks Ltd and InterACT Drama Classes.  

In recent years her focus has been social and verbatim theatre, including the award-winning The Keys are in the Margarine and Resilience – a COVID lockdown theatre response. Her latest work, Wahine Mātātoa - the Mostly True story of Erihāpeti Pātahi explores the mostly true story of her great-great-grandmother Erihāpeti Pātahi, continuing her commitment to bringing Kāi Tahu stories to the stage. 

Anders Falstie-Jensen

Anders Falstie-Jensen hails from the plains of Jutland, Denmark. He is the co-founder of The Rebel Alliance and the company’s main producer, writer and director. Key credits include The Valentina, Back to Square One?Watching Paint Dry and Standstill 

Anders was the winner of the Bruce Mason Playwriting Award for 2026. 

Karin McCracken

Karin McCracken is an award-winning writer and performer based in Pōneke and Co-Artistic Director of EBKM alongside Eleanor Bishop.  

Her recent work Heartbreak Hotel has toured internationally to Edinburgh Festival Fringe, Melbourne's RISING Festival and London's Soho Theatre, with upcoming touring to New York and Toronto’s Luminato Festival in 2026.  

Other works include a large-scale adaptation Gravity & Grace (co-adapted with Eleanor Bishop), and Yes Yes Yes (co-written with Eleanor Bishop), a show for young people about consent and healthy relationships.  

She and Eleanor Bishop were the first creative partnership to receive the Bruce Mason Playwriting Award in its 40-year history. In 2025, Karin was awarded a prestigious MacDowell Fellowship, where she wrote a new work for stage. 

Victor Rodger

Victor Rodger ONZM is a multiple award-winning writer whose plays Black Faggot and My Name is Gary Cooper have been produced nationally and internationally.   

He has also produced critically acclaimed productions of Tusiata Avia's Wild Dogs Under My Skirt and The Savage Coloniser Show

Ana Scotney

Ana Chaya Scotney (Ngāi Tūhoe) is a writer, actress, and film and theatre-maker, hailing from Te-Upoko-o-te-Ika Wellington, New Zealand.  

She has created and performed five solo works including ScatterGun After The Death of Rūaumoko (Silo Theatre, 2024), which she is currently adapting into a screenplay with support from the New Zealand Film Commission.  

Her recent short film Kurī  was shot across Tāmaki Makaurau and Te Urewera as part of Dame Jane Campion's film intensive, A Wave In The Ocean, and premiered at the 2025 Venice International Film Festival. 

Ankita Singh

Ankita Singh is an award-winning screenwriter, playwright, producer and documentary filmmaker raised between Chandigarh and Kirikiriroa.  

Her action-comedy Give Me Babies won Best Comedy at the 2024 NZ Screen Awards, and she made history as the first South Asian woman commissioned to write for a mainstage theatre company in Aotearoa with her debut play Basmati Bitch at Auckland Theatre Company.  

She is currently developing her next play, RABID, a supernatural gothic horror set in the Himalayan foothills.

Tawhi Thomas

Tawhi Thomas (Ngāti Maniapoto) is a multiple award-winning playwright who also enjoys life as an actor, director and educator. He is based in Te Whanganui-a-Tara - Wellington. 

Tawhi has written several plays that have been produced and has received multiple awards for his work including Bruce Mason Award and the Adam NZ Best New Play Award (twice) and the Adam NZ Best Play by a Māori Playwright (three times). 

Tainui Tukiwaho

Tainui Tukiwaho (Te Arawa, Ngāi Tūhoe, Ngāti Tūwharetoa, Whakatohea, Kāi Tahu) is an award-winning writer, director, producer and actor based in Tāmaki Makaurau who has worked across film, television and theatre for the past 25 years. 

He is a founding member of Te Pou Theatre, a theatre space and production house that is dedicated to the growth of te reo Māori and kaupapa Māori in the performing arts space. 

His recent work Ration the Queen's Veges retells the events following Te Wehi Rātana's 2023 action at Te Papa, exploring the unexpected connections and storytelling that emerged during his brief incarceration. 

We are looking for nine mid-career to established theatre playwrights.

These sessions are designed for writers with an existing body of work, who have track record of writing plays for professional theatre and a developed artistic voice.

ATC invites applications from mid-career to established Aotearoa playwrights who:

  • Have two or more full length plays produced for professional theatre.
  • Works that have garnered notable success in terms of audience and critical response.
  • Are available for all three days of the workshop.
  • Are based anywhere in Aotearoa (with travel support available).
  • Are over 18.

Selection Process: All expressions of interests received by the deadline will be reviewed together. If oversubscribed, selection will focus on identifying playwrights who will benefit most from an intensive three-day workshop with Simon Stephens, balancing a range of experience levels, and ensuring regional representation.

Selected participants will be asked to supply a writing sample of roughly 30-40 pages prior to the workshop.

          A three-day workshop with Simon Stephens, designed specifically for Aotearoa practitioners: Developed with a clear awareness of the unique and varied cultural, artistic, and dramaturgical landscape that our theatre-makers inhabit.

          Partial travel support: For selected playwrights traveling from outside Tāmaki Makaurau.

          Access to the wider week of Masterclass Project events: Including the Writers Reception and public performance of Sea Wall on 21 February.

          Connection to peers and sector leaders: Creating networks that extend beyond the week itself.

Participants will also be asked to provide a short written or video reflection following the masterclass.

Expression of Interests closed on 12pm, Monday 12 January 2026.

The Masterclass Project application process started with an Expression of Interest, designed to be accessible with a view to respecting the time of all interested candidates.

With sincere thanks to Cynthia Braithwaite and Peter Macky for their generous donation, and the British Council New Zealand and the Pacific for support through their Connections Through Culture Programme.